 |
| William Rush (1756-1833). Águia - ca. 1810 - gesso e madeira doirada. Eagle - ca. 1810 - gesso and gilded wood. |
%20-%20Nature%20Exposing%20Herself%20to%20Science%20%E2%80%93%201899%20-%20Marble%20and%20onyx.%20Mus%C3%A9e%20d'Orsay,%20Paris.jpg) |
| Louis-Ernest Barrias (1841-1905). A Natureza Expondo-se à Ciência – 1899 - mármore e ônix. Musée d'Orsay, Paris. Nature Exposing Herself to Science – 1899 - marble and onyx. Musée d'Orsay, Paris. |
%20-%20Beauty%20Holding%20Back%20Time%20-1884%20-%20marble..jpg) |
| Donato Barcaglia (1849-1930). A Beleza a Reter o Tempo - 1884 - mármore. Beauty Holding Back Time - 1884 - marble. |
,%20The%20Night%20(ca.%201889),%20oil%20on%20canvas,%20Kunstmuseum%20Bern,%20Bern,%20Switzerland.jpg) |
| Ferdinand Hodler (1853–1918). A Noite - ca. 1889 - óleo sobre tela. Kunstmuseum Bern, Berna, Suíça. The Night - ca. 1889 - oil on canvas. Kunstmuseum Bern, Bern, Switzerland. |
%20-%20L%E2%80%99Effort,%20%20approx.%201900,%20Jardin%20du%20Luxembourg,%20Paris.jpg) |
| Pierre Roche (1855-1922). O Esforço - ca. 1900. Jardin du Luxembourg, Paris. The Effort - ca. 1900. Jardin du Luxembourg, Paris. |
%20-%20%20Angel%20of%20Victory%20(portrait%20of%20Frederick%20William%20Baker),%20Welsh%20National%20Memorial.%20Cardiff.%20,.jpg) |
| Henry Alfred Pegram (1862–1937). O Anjo da Vitória (retrato de Frederick William Baker). Welsh National Memorial, Cardife. Angel of Victory (portrait of Frederick William Baker). Welsh National Memorial, Cardiff. |
